Thanks, Mata, for posting photos of your gear.
That PRS is one sweet guitar. I'd bet it is a Les Paul killer. Come to think of it, Gibson guitars these days are way too overpriced with dodgy quality control issues.
I have always wanted a Vox AC-30, but I have no use for yet another loud amp. Even my own loud amps don't get much use these days. But if I won the lottery and space is no longer a concern, I would consider getting one for sure.
What a coincidence that you also own a Mesa Boogie amp. Here is a shot of my vacation amp, with a couple of my vacation guitars. The guitars are a Fender Stratocaster '62 vintage reissue and a Fender Custom Telecaster reissue that I have posted a photo here before. Behind them is my Mesa Boogie Mark II-C amp (factory upgraded to C+ specs in 2009).
Like my Tele, this Strat's has also been modified. Except for the neck (and the tuners) and the body wood, everthing else have been replaced with better parts.
And here are my own Les Paul killers. A cherry sunburst Yamaha SG-2000S (my first electric) and a black SBG-2000. Both have different models of Seymour Duncan pickups. The Boogie Mark II-C+ amp again is behind them. These gutiars sound great with this amp:
I also have a early 1960's Fender Champion lap steel. Hello, Dark Side of the Moon!
This is the amp that sounds great with my Fender's (including the lap steel). It is a 1970's Mesa Boogie Mark I 1x15 combo. This thing is so heavy, that it requires 2 persons to lift it (the cabinet is too wide and heavy to be safely carried by 1 person). Because of this, it has been sitting in its Anvil case in storage for more than 10 years.
You have a B.C Rich that needs repair work. I also have a shredder that needs some major TLC. This is a late 1980's Kramer Pacer Custom I. When I got this guitar, it was in rough shape. There is a splitting crack on the peghead, behind one of the tuners. The Floyd Rose bridge shows significant amount of rust, pitting and play between the parts. The arm was jammed to the bridge and drops down. Only the humbucking pickup works and it does not sound very good. To do a proper job, I will need time to get all the parts and do everything in one go. Not sure when will I get to it. The SKB case is a spare that I have around. Whoever owned this guitar previously did not care to maintain the instrument properly. Little wonders that the original case was missing when I got the guitar.
I have some more stuff that are in storage, including a classical, 6-string acoustic, a Fender Precision Bass, and more 6-string electric. And then, there are the effects (stompboxes and rackmounted stuff). Also in storge is my MemoryMoog and some recording gear. What the hell did I do with the money I made from pumpin' gas and flippin' burgers...........
Last but not least, this is the one electric that I use most often these days. It is a Yamaha SG-1996, a limited edition model (120 examples were made) to commemorate the 30th anniversary of the SG series. This is actually a even closer Les Paull killer than my other two Yamaha's. Instead of having a neck-thru body, this one has a set neck a la Gibson Les Paul. Again, the pickups have been replaced with a set of Seymour Duncan '59s. At home, I use a small (1x8 combo) Epiphone Electar Tube 10 amp with it. When I play out, I would use whatever amp is available. If it is just a sit-in for a number or two in clubs, I would just use whoever's gear. I am lazy.
Before my move, I sold my Ampeg SVT amp with the 8x10 cabinet. There was no way I could store them at my parent's house while I am out of the country. That is why I don't take my Precision Bass out of storage during my vacation. Now that I have ordered a Rickenbacker 4003S, I need a bass amp again....